Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Thursday, March 9, 2017

Harriet Jacobs’ Argument for Liberty

Harriet Jacobs’ Incidents in the Life of a Slave Girl was published in 1861 under the pseudonym Linda Brent. This piece of work is an autobiography of none other than Harriet Jacobs who was actually the first known African American woman to author a slave narrative in the United States. In the book, Jacobs narrates the life in which she lived while she was under slavery from birth till 1852. Jacobs describes times in her life when slavery treated her “well” by it’s standards and also times when slavery tore her apart inside. She was around 37 years old when she finally received her and her children’s freedom in 1852. Jacobs argues that slaves are entitled to their own liberty because slavery demoralizes women, deprives them of their right to make a family home, and takes away their natural birthright of liberty.
Jacobs argues that the demoralization of women in the system of slavery is just cause to give slaves their liberty. Throughout her narrative, Jacobs continuously veers her argument towards white women in the North whenever mentioning her hardships as a woman. She does this in order to “create sympathy for her plight” and to “win the respect and admiration of her readers” for the courage and independence that she shows (Baym and Levine 921). One example of her directly addressing white women in the North is when she compares the rights that they have versus the rights that slave women have as she says “But, O, ye happy women, whose purity has been sheltered from childhood, who have been free to choose the objects of your affection, whose homes are protected by law” (Jacobs 929). She goes on to say “If slavery had been abolished, I, also could have married the man of my choice; I could have had a home shielded by the laws…but all my prospects have been blighted by slavery” (Jacobs 929). When she makes this comparison she is playing with the emotions of the white women in the North in order to show them that their value of the fragile and gentle persona of a woman is being demolished by slavery. In Jacobs narrative, she is denied the right to marry her first love, is sexually harassed by her white master, and is so desperate to escape slavery that she sacrifices her own purity in a tactful plan to be sold from her master to her unborn child’s father. Jacobs is forcing these women to visualize life as a woman in slavery without all of the virtues that are most important to women.
In Jacobs narrative, she puts an emphasis on the fact that slaves should have the liberty to create their own family home. While Jacobs was growing up she had the privilege of being raised in a household in which “her parents were allowed to live together even though they had different masters” (Baym and Levine 920). Since Jacobs was blessed to experience this sense of a family home, she was never aware of her condition of being a slave until she was six years old when her mother had died (Jacobs 923). As she got older she realized that the sense of family she had experienced was not common amongst slavery. Her own grandmother suffered the loss of one of her sons as “her children were divided among her master’s children” and “Benjamin, the youngest one, was sold” (Jacobs 922). Not only were families being separated, but mothers nursing their mistress’ children along with their own children would have to wean their baby at a very early age so “that the babe of the mistress might obtain sufficient food” (Jacobs 923). In Jacobs’ experiences with her own family of her and her two children, she feared for their future as slaves knowing of her inability to protect them from their masters. After the birth of her first child, her master threatened to sell the baby and Jacobs expresses her distraught by saying “his threat lacerated my heart. I knew the law gave him the power to fulfill it” (Jacobs 932). This would be particulary disturbing to readers at the time because of the belief that family was one of the most important virtues and should be kept sacred and protected.
Jacobs argues that slaves should have liberty because she believes they were born with a natural right to it. She doesn't view the issue of liberty as something that slaves have to gain; she views it as something that has been stolen from them and needs to be taken back. Throughout Jacobs’ entire narrative she continuously remarks claims to her own liberty and others to theirs. She talks back to her master’s threats by saying “‘You have tried to kill me, and I wish you had; but you have no right to do as you like with me’” (Jacobs 926). In doing this, she is consciously putting herself in danger from her master just because she has such a strong pride and belief in her right to liberty. She also fights back against her master’s views of her request to marry a freed black man by saying “‘Don't you suppose, sir, that a slave can have some preference about marrying? Do you suppose that all men are alike to her?’” (Jacobs 925). When Jacobs gives this response she is fighting back the notion that another person has the right to control her life and who she marries. To Jacobs, only she has the right to decide that for herself. When her mistress’ husband came looking for Jacobs after she ran away to the North, she sent a close friend to contact them and discover their intentions. Her friend replied to the husband’s offer to have her buy her freedom by saying “‘I have heard her say she would go to the ends of the earth, rather than pay any man or woman for her freedom, because she thinks she has a right to it’” (Jacobs 939). This sort of attitude from Jacobs is not surprising and is a direct example of how she believes that everyone has a right to their own liberty. Jacobs ends up having her freedom bought by a close friend who cared about her deeply, only wanting freedom for her beloved friend and nothing else. Even though Jacobs objected having her freedom bought at first, she says “I am deeply grateful to the generous friend who procured it, but I despise the miscreant who demanded payment for what never rightfully belonged to him or his” (Jacobs 940). Once again, Jacobs expresses the birthright of liberty and freedom that everyone should have.
Jacobs would not necessarily be considered a subtle woman when it comes to the right of liberty. Throughout her narrative she's said time and time again that liberty is not earned or gained; liberty is a natural right that everyone has a claim to and only they can claim their own freedom. She's showcased the issues of slavery that would mean the most to white women in the North in order to evoke a feeling of sympathy towards slave women and hopefully a feeling of despisement towards slavery. Jacobs sacrificed a lot in her lifetime, including a proper family experience, but the act of putting all of her most shameful life moments on paper and into the public has to be one of her biggest sacrifices. She didn't do it for any other reason than to work towards the end of slavery and the achievement of liberty for all. In doing this, she showcased her biggest argument that slaves should have their own liberty.


Works Cited
Jacobs, Harriet. From Incidents in the Life of a Slave Girl. The Norton Anthology of American Literature. 8th ed. Vol. B. New York: W. W. Norton, 2012. N. pag. Print.


Baym, Nina, and Robert S. Levine, eds. "Harriet Jacobs." The Norton Anthology of American Literature. 8th ed. Vol. B. New York: W. W. Norton, 2012. N. pag. Print.

Wednesday, March 8, 2017

Edgar Allan Poe: The Tell-Tale Heart

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Edgar Allan Poe was born in Boston on January 19, 1809 and lived to be one of the major American writers of his generation. Poe’s parents were both actors and died by the time he was three years old. He went on to be raised by John and Frances Allan, a couple with no children living in Richmond, while his two other siblings were sent to different foster parents. Poe attended good schools in England until Allan’s business prospects dwindled, forcing them to move back to Richmond. This is when tensions started to arise between Poe and his foster father which ended in Allan refusing to pay for Poe’s school and Poe ending up in debt from gambling. Allan later ordered Poe out of his house when Poe was eighteen years old. Poe eventually married his cousin, Virginia, in 1835 when he was 27 and she was 13. Throughout his life Poe had always struggled with substance abuse and alcoholism, especially after his wife died in 1847 from Tuberculosis. Among Poe’s accomplishments, he invented the modern detective story in 1841 with his The Murders in the Rue Morgue. This went on to inspire many other detective writers like Sherlock Holmes to further explore detective stories in their own works. He eventually died in Baltimore in 1849 under mysterious circumstances. His story, “The Tell-Tale heart”, is seen as a classic in the Gothic genre to many people and is actually one of his most famous short stories.
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“The Tell-Tale Heart” is told by an unknown narrative figure who suffers from a sort of psychological paranoia. He starts talking about his decision to kill an old man because this man had a pale blue eye which the narrator described as “the eye of a vulture” (691). Throughout the whole story he argues his sanity as he shares his motive to kill. He states that he did not want to kill the old man because of any other reason than his vulture eye. For seven days, he went into the room of the old man at around midnight each night, opened the door cautiously, and struck a “single thin ray” of light from a lantern upon the old man’s vulture eye (692). However every night when he did this the man’s eye was closed shut, preventing the narrator from killing him right then and there. Throughout this process, the narrator makes a point to showcase his cunning and wise actions towards creeping in and out of the man’s room. He shows this very plainly when he says “You should have seen how wisely I proceeded-with what caution- with what foresight- with what dissimulation I went to work” (692). As he visited the old man in his room on the eighth night his thumb slipped as he was opening the lantern, causing the old man to become startled as he “sprang up in the bed, crying out- ‘who's there?’” (692). When the narrator shines the thin ray of light unto the man’s vulture eye he finds it to be wide open. This infuriates him and fuels his desire to murder the man. He starts hearing what he presumes to be the old man’s heart beating faster and louder every second and worries that the neighbors might hear it (693). He then “leaped into the room” and dragged the old man to the floor, killing him (693). He rid of the man’s body by dismembering the corpse and hiding the pieces underneath the floor of the man’s room (694). After he was done three police officers came knocking at the door because of a reported shriek from the house (694). As the narrator was showing the officers the old man’s room he began hearing the sound of the man’s heartbeat once again growing louder and louder and thought the officers might hear it. This caused him to abruptly confess the crime of murdering the old man to the three officers.
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Poe’s “The Tell-Tale Heart” is the shortest story that he wrote and he used very short sentences in order to provide a sense of urgency and suspense for his readers. The unknown narrative voice in this story suffers from paranoia and believes that the side affects of his psychological disease are actually what makes him wise and cunning.  Throughout the story the narrative voice is talking about the incident as if it had already happened and judging by the ending of the story, he is talking to some sort of authoritative figure. He does not hate the man, he only hates the man’s eye. He makes a point to distinguish between the two in order to put the blame of the murder on the eye and all of its tempt for murder. The narrator perceives the sound of a heartbeat growing louder and faster as the old man’s heart when in fact, it was his own heart. Poe uses this as a way to show that the murderer was feeling nervous and guilty beyond belief. His own conscious guilt was represented by his heartbeat and he tries to get rid of it by assigning the loud heartbeat to the old man instead while he abandons his own humanity. In this story, Poe is playing with the psychological mystery of why people sometimes harm their loved ones.
I also found this great website here https://www.poemuseum.org/ that includes extra information about Poe’s biography, all of his works, and the museum that was erected in his honor in Richmond, Virginia. The museum is home to the largest collection of Poe memorabilia in the world!
Works Cited
Baym, Nina, and Robert S. Levine, eds. "Edgar Allan Poe." The Norton Anthology of American Literature. 8th ed. Vol. B. New York: W. W. Norton, 2012. N. pag. Print.
Poe, Edgar Allan. "The Tell-Tale Heart." The Norton Anthology of American Literature. 8th ed. Vol. B. New York: W. W. Norton, 2012. N. pag. Print.